Tag: Johann Sebastian Bach

Epiphany 2nd Sunday 2022
  1. Opening acclamation: Psalm 118.
  2. Hymn: “O For A Thousand Tongues To Sing”, Soloist Roger McMurrin, and Dianne Bish, organ, from “Joy of Music” program entitled “The Life of John Wesley”, uploaded to YouTube by “Joy Of Music” and used in accordance with Creative Commons license. 
  3. First Reading: Isaiah 62:1-5, King James Bible.
  4. Psalm 36:5-9 from the Scottish Metrical Psalter of 1650, sung by the members of Trinity Presbyterian Reformed Church, uploaded to Youtube by “charlotteprc”. Used in accordance with the Creative Commons license.
  5. Second Reading: 1 Corinthians 12:1-11, World English Bible.
  6. Hymn: “Open My Eyes, That I May See” performed by Fountainview Academy; uploaded to YouTube by Terceiro Anjo, and used in accordance with the Creative Commons license.
  7. Gospel: John 2:1-11, World English Bible.
  8. The Lord’s Prayer: From Matthew.
  9. Blessing: from 2 Corinthians 13.
  10. Organ Postlude: Johann Sebastian Bach (1685-1750) “Toccata, Adagio und Fuge in C-Dur: Toccata (BWV 564)” performed by Jin Kyung Lim on the Fisk Organ at Stanford Memorial Church, uploaded to YouTube by “bongsub”, and used in accordance with Creative Commons license.

The Bible passages were recorded by Librivox, and are in the public domain. Readings correspond to the Revised Common Lectionary. All audio files are given with attribution where known.

Christmas 1st Sunday 2021
  1. Prelude: “Adeste Fideles” performed by ALTA BELLEZZA, Ann Allen and Hann Geisel on shawms, and Nathaniel Wood on slide trumpet; From Midnight mass on 24th December 2019, at St. Mauritius, Schötz, Switzerland.  Used in accordance with Creative Commons license.
  2. First Reading: 1 Samuel 2:18-20, 26, King James Bible.
  3. Carol: “In Dulci Jubilo” performed by Eva Cernanska (soprano), Liubov Melnyk (alto), Xabier Monton (tenor), and Raul del Toro (Organ), at the parish of El Salvador in Pamplona, uploaded to YouTube by “Canentes Domino”, used in accordance with Creative Commons license.  English Lyrics: “In sweet rejoicing, now sing and be glad! Our hearts’ joy lies in the manger; And it shines like the sun in the mother’s lap. You are the Alpha and Omega!” (The most common English version is “Good Christian men rejoice”)
  4. Psalm 148, King James Version.
  5. Carol: “Silent Night”, sung by Malden High School Concert Choir at their 2018 State House Holiday Concert, uploaded to YouTube by Chris Murphy and used in accordance with Creative Commons License.
  6. Second Reading: Colossians 3:12-17, World English Bible.
  7. Carol: “Away in a Manger” from 2014 YouTube Video “A Christmas Offering: Three Christmas Carols Arranged for Baroque Guitar”, performed by Raymond Andrews, used in accordance with Creative Commons license. 
  8. Gospel: Luke 2:41-52, World English Bible.
  9. The Lord’s Prayer: From the Book of Common Prayer 1662.
  10. Blessing: 2nd Corinthians 13.
  11. Carol: “Adeste Fideles” performed by Collegium Vocale, in 2017, available at Wikimedia Commons, and used in accordance with the Creative Commons license.
  12. Organ postlude: Johann S Bach (1685-1750) “Puer natus in Bethlehem” BWV 603, from Orgelbüchlein, performed by Jens Engel on the Orgel der Christuskirche Lohmar. Available on youtube, and used in accordance with Creative Commons license. 

The Bible passages were recorded by Librivox, and are in the public domain. Readings correspond to the Revised Common Lectionary. All audio files are given with attribution where known.

The last Sunday in October is honored in many Protestant churches as “Reformation Sunday”, recalling that on October 31, 1517 Martin Luther made public his 95 theses which, according to legend, he nailed to the door of the Castle church in Wittenburg, Germany. The opening hymn selected for today, “A Mighty Fortress is Our God”, was written by Luther himself. Also, in honor of another holiday coming up that coincides with that date, I have chosen a special treat for the organ postlude in this virtual service.

23rd Sunday after Pentecost 2021
  1. Opening Acclamation: Psalm 46:1.
  2. Organ Prelude: “A Mighty Fortress is Our God” performed at Uppsala Cathedral by Diane Bish, from “Hymns and Sacred Songs II”, used in accordance with Creative Commons License
  3. First Reading: Deuteronomy 6:1-9, King James Bible.
  4. Hymn: “A Mighty Fortress is Our God” sung by an unknown congregation. Public domain.
  5. Psalm 119:1-8, King James Bible.
  6. Motet: Charles Villiers Stanford (1852-1924) “Beati Quorum Via”, based on Psalm 119:1, sung by the choir of St. John the Evangelist, Redhill, uploaded to YouTube by Ginette and Peter Nye, and used in accordance with Creative Commons license.
  7. Second Reading: Hebrews 9:11-14, World English Bible.
  8. Organ sequence: Johann Christoph Bach (1642-1703) “Wir glauben all an einen Gott”, performed on the organ of Sta. Maria church, Montblanc, Tarragona, Catalunya, Spain. Uploaded to YouTube by “Bablung music”, and used in accordance with Creative Commons license.
  9. Gospel: Mark 12:28-34, World English Bible.
  10. The Lord’s Prayer: from Matthew 6.
  11. Blessing: 1 Timothy 1:17.
  12. Organ Postlude: Johan Sebastian Bach (1685-1750): “Toccata and Fugue in D minor.” Played by Fyodor Stroganov (organ). Recorded from a concert on 10/04/2015 at the Evangelical Lutheran Cathedral of Sts. Peter and Paul. The organizer is the Collegium musicum concert agency. Used in accordance with Creative Commons license.

The Bible passages were recorded by Librivox, and are in the public domain. Readings correspond to the Revised Common Lectionary. All audio files are given with attribution where known.

In many churches, this Sunday (or a day near it) is set aside to honor Mary, the mother of Jesus. While keeping the usual lectionary readings for the 12th Sunday after Pentecost, I will nonetheless add in some music from the rich tradition of celebrating Mary. Enjoy.

  1. Opening Acclamation: from Psalm 51
  2. First Reading: Proverbs 9:1-6.
  3. Anthem: Pascale Colasse (1649-1709), “Beata Es Maria”, uploaded to YouTube by “L Jeanne”, used in accordance with Creative Commons license.
  4. Psalm 34:9-14, King James Version.
  5. Gloria Patri: Excerpted from Puer Natus Est, sung at the Abbey of St. Martin of Ligugé, uploaded to YouTube by “Musique Sacree”, used in accordance with Creative Commons license.
  6. Second Reading: Ephesians 5:15-20, World English Bible.
  7. Hymn: Anthem: William Byrd (1540-1623), “Ave Virgo Sanctissima”, sung by Ars Mvsica. In the public domain, at Archive.org.  Translation: “Hail, Holy Virgin, most blessed Mother of God, bright star of the sea. Hail, ever glorious, precious pearl, lovely as the lily, beautiful and perfumed as the rose.”
  8. Gospel: John 6:51-58, World English Bible.
  9. Lord’s Prayer (latin): Sung by the Tudor Consort. Public domain.   
  10. Blessing: 2 Corinthians 13.
  11. Postlude: Johann Sebastian Bach (1685-1750) “Art of Fugue Contrapunctus 1”. Performed by Benjamin Alard on the organ of l’église d’Arques-la-Bataille; Used in accordance with Creative Commons license.

The Bible passages were recorded by Librivox, and are in the public domain. Readings correspond to the Revised Common Lectionary.

4th Sunday of Advent 2020
  1. Opening Sentence: Psalm 89.
  2. Hymn: “Creator of the Stars of Night”, sung by Immanuel Congregational Church in Hartford, CT, Dec 2012; Available in the public domain at the Internet Archive.
  3. First Reading: 2 Samuel 7:1-11, 16, King James Bible.
  4. Canticle: Lorenzo Perosi (1872-1956) “Magnificat”, performed at the Church of the Nativity of the BVM alla Mandria, uploaded to YouTube by “CappellaMusicaleBeataVergine”, used in accordance with Creative Commons license.  English Text from Luke 1:46-55:  “My soul magnifies the Lord, and my spirit rejoices in God my Savior, for he has looked on the humble estate of his servant.  For behold, from now on all generations will call me blessed; for he who is mighty has done great things for me, and holy is his name. And his mercy is for those who fear him from generation to generation. He has shown strength with his arm; he has scattered the proud in the thoughts of their hearts; he has brought down the mighty from their thrones and exalted those of humble estate; he has filled the hungry with good things, and the rich he has sent away empty. He has helped his servant Israel, in remembrance of his mercy, as he spoke to our fathers, to Abraham and to his offspring forever.”
  5. Second Reading: Romans 16:25-27, World English Bible.
  6. Hymn arranged for organ and flute: Franz Schubert “Ave Maria”, performed by Sofia Lubyantseva; Uploaded to YouTube by “FluteMasters”, and used in accordance with Creative Commons license.  
  7. Gospel: Luke 1:26-38, World English Bible.
  8. The Lord’s Prayer: From Luke.
  9. Blessing: 2nd Corinthians 13.
  10. Organ postlude: Johann Sebastian Bach (1685-1750) “Meine Seele Erhebt den Herren”, Bwv 648. Performed at Jacobikerk Utrecht, uploaded to YouTube by Koos van ‘t Hul, used in accordance with Creative Commons license.

The Bible passages were recorded by Librivox, and are in the public domain. Readings correspond to the Revised Common Lectionary. All audio files are given with attribution where known.

The last Sunday in October is honored in many Protestant churches as “Reformation Sunday”, recalling that on October 31, 1517 Martin Luther made public his 95 theses which, according to legend, he nailed to the door of the Castle church in Wittenburg, Germany. The opening hymn selected for today, “A Mighty Fortress is Our God”, was written by Luther himself. Also, in honor of another holiday coming up that coincides with that date, I have chosen a special treat for the organ postlude in this virtual service.

Reformation Sunday 2020
  1. Opening Acclamation: Psalm 46:1.
  2. Hymn: “A Mighty Fortress is Our God” by unknown congregation. Public domain.
  3. First Reading: Leviticus 19:1-2, 15-18, King James Bible.
  4. Psalm 1, King James Bible.
  5. Gloria Patri: Excerpted from chanting of Psalm 96 by Wakefield Cathedral Choir, 2018; Fair Use.
  6. Second Reading: 1 Thessalonians 2:1-8, World English Bible.
  7. Organ sequence: Georg Böhm (1661-1733): Excerpt from “Ach wie nichtig, ach wie flüchtig” performed by Thiemo Janssen on the organ in Marienhafe, used in accordance with Creative Commons license.  
  8. Gospel: Matthew 22:34-46, World English Bible.
  9. The Lord’s Prayer: from Matthew 6.
  10. Blessing: 2 Corinthians 13.
  11. Organ Postlude: Johan Sebastian Bach (1685-1750): “Toccata and Fugue in D minor.” Played by Fyodor Stroganov (organ). Recorded from a concert on 10/04/2015 at the Evangelical Lutheran Cathedral of Sts. Peter and Paul. The organizer is the Collegium musicum concert agency. Used in accordance with Creative Commons license.

The Bible passages were recorded by Librivox, and are in the public domain. Readings correspond to the Revised Common Lectionary. All audio files are given with attribution where known.

19th Sunday after Pentecost 2020
  1. Opening Acclamation: From Phillippians 4
  2. Anthem: “Rejoice in the Lord Always” by The Choirs of St. Matthew’s, Ottawa, directed by Stephen Candow. Uploaded to YouTube by Leonard Surges, and used in accordance with Creative Commons license.
  3. First Reading: Isaiah 25:1-9, King James Bible.
  4. Psalm 23, sung to the hymn tune “Crimond”, Uploaded to YouTube by Christina Iqupen, and used in accordance with Creative Commons license.
  5. Second Reading: Philippians 4:1-9, World English Bible.
  6. Hymn: “Jerusalem the Golden”, sung by an anonymous congregation, in the public domain.  
  7. Gospel: Matthew 22:1-14, World English Bible.
  8. The Lord’s Prayer: From Matthew 6.
  9. Blessing: 1 Timothy 1:17.
  10. Organ postlude: J. S. Bach (1685–1750), “Präludium a-Moll”, BWV 543, performed by Lucas Pohle at Nikolaikirche Leipzig, used in accordance with Creative Commons license.

The Bible passages were recorded by Librivox, and are in the public domain. Readings correspond to the Revised Common Lectionary. All audio files are given with attribution where known.

Quite by chance today I heard an interesting juxtaposition of two beautiful pieces of music. One, the haunting “When David Heard” by Thomas Tompkins, recalls the moment when Israel’s King David learns of the death of his son Absalom, killed as he was leading a rebellion against his own father. David, though spared, nevertheless cries out in agony, “O Absalom, my son! Would God I had died for thee.”

The other piece of music was an organ work by Johann Sebastian Bach, his Passacaglia and Fugue In C minor. The passacaglia was a Spanish dance form elevated to major effect by the Baroque master. This particular piece consists of a theme and 20 variations (or 21 variations comprising 7 sets of three, per French organist Marie-Claire Alain; this is a point of debate). The theme and variations—the Passacaglia— are then followed by a fugue upon the opening theme.

Though wordless, it is thought that Bach was using musical symbolism to express his deep Christian faith. Disagreement exists on how exactly one should interpret the piece, but the cross of Jesus is generally seen in the pattens tumbling forth from the notes. For example, Australian organist David Rumsey noted the following regarding the dramatic “Neapolitan Sixth” that marks a major pause in the middle of the piece:

“By extension we may therefore deduce that the Neapolitan Sixth at the end of section four of the Passacaglia strongly suggests “crucifixion”. Applied specifically to the Passacaglia we see the relationship to the climax of the New Covenant: the sacrifice of the Messiah.” (David Rumsey, 1992. “THE SYMBOLS OF THE BACH PASSACAGLIA”. Accessed online at http://www.davidrumsey.ch/Passacaglia.pdf)

The meaning of the crucifixion for Christians is summarized by St. Paul: “For if while we were enemies we were reconciled to God by the death of his Son, much more, now that we are reconciled, shall we be saved by his life.” (Romans 5:10)

The connection between these two stories that grabbed me was this. In the one instance the rebel died that the king may live. In the second instance, the King died that the rebel may live.