Category: Music

17May

A Celebration of the Word, for the Sixth Sunday of Easter 2020

This little audio file is offered for your edification, and to the glory of God.

Celebration for Easter 6
  1. Opening acclamation: Psalm 51:15
  2. Hymn: “Amazing Grace” for flute, Angela Brown, and organ, Diane Bish, from program entitled “Hymns and Sacred Songs”, used in accordance with Creative Commons license.
  3. Lesson 1: Acts 17:22-31, World English Bible.
  4. Psalm 66:8-20, NET Bible, uploaded to YouTube by “dailyvideobible”, used in accordance with Creative Commons license.
  5. Music: J. S. Bach: Cantata No. 207a: “O Praise the Lord Most Holy”, from a program by Diane Bish entitled “The Many Moods of Bach”, used in accordance with Creative Commons License.
  6. Lesson 2: 1 Peter 3:13-22 , World English Bible.
  7. Gospel: John 14:15-21, World English Bible.
  8. The Lord’s Prayer
  9. Organ postlude: J.S. Bach, “In Herr Jesu Christ dich zu uns wend, BWV 632”, performed by Aldo Locatelli, in the public domain.
10May

A Celebration of the Word, for the Fifth Sunday of Easter 2020

These readings correspond to the Revised Common Lectionary. I offer this effort to God’s glory and for your enjoyment.

5th week of Easter 2020
  1. Opening acclamation.
  2. Hymn: “Crown him with many crowns” by unknown singers. Public Domain.  From Internet Archive.
  3. First Reading: Acts 7:55-60 (World English Bible).
  4. Psalm 31:1-5, 15-16 (King James Version).
  5. Gloria Patri: Excerpted from an audio cassette of a choir festival in Evanston, IL, circa 1993.
  6. Second Reading:  1 Peter 2:2-10 (World English Bible).
  7. Gospel: John 14: 1-14.
  8. The Lord’s Prayer: Chanted by unknown congregation, uploaded to YouTube by “LabourerFaith”, and used in accordance with Creative Commons License.
  9. Blessing: The Aaronic Blessing from Numbers 6 (King James Version).
  10. Musical postlude: Charles-Marie Widor, Organ Symphony no. 5, Op. 42 no. 1, performer Paul Pittman, in the public domain.  At MusOpen.

I have put this audio file together from public domain sources, mainly LibriVox (for bible readings), MusOpen (for royalty Free Music) and the Community Audio section of the Internet Archives.

03May

A Celebration of the Word, for the Fourth Week of Easter 2020

This brief service of music and sacred scripture is offered in praise of God, and for the benefit of any who would like to worship in this manner.

  1. Opening acclamation and organ prelude: “I know that My Redeemer lives”, by Diane Bish, performing from St. Jacob’s Church, Prague, on a program entitled “Easter Alleluias”, used in accordance with Creative Commons license.
  2. First Reading: Acts 2: 42-47, World English Bible.
  3. Psalm 23 “Brother James Air” by unknown artists, uploaded to YouTube by user “mk671tv”, used in accordance with Creative Commons license.
  4. Second Reading: 1 Peter 2: 19-29, World English Bible.
  5. Gospel Reading: John 10: 1-10, World English Bible.
  6. Lord’s Prayer by Malotte: Sung by Kathleen Battle with harp by Nancy Allen, live for the visit of Pope Benedict to the U.S. 2009, uploated to youtube by “kinddude”, used in accordance with Creative Commons license.
  7. Closing prayer: Methodist, abbreviated.
  8. Postlude: Heut Triumphiret Gottes Sohn, BWV 630, performed by Aldo Locatelli.
26Apr

A Celebration of the Word, for the Third Sunday of Easter

In praise of God, and for the benefit of any who might find in it a blessing on this day of continuing isolation due to the COVID pandemic, I offer another audio file of scripture readings and music. The readings and music are taken from audio files that are in the public domain. Readings correspond to the Revised Common Lectionary.

Easter 2020 Week 3 Readings
  1. Prelude: Concerto for 2 Trumpets in C major, RV 537, by Antonio Vivaldi, performed by Michael Rondeau. Available at MusOpen.
  2. Reading: Acts 2:14a, 36-41, from the World English Bible, by Librivox.
  3. Hymn: “Thine Be The Glory, Risen Conquering Son (Traditional Easter Hymn)”, From Internet Archives.
  4. Reading: Psalm 116:1-4, 12-19, from the King James Version, by Librivox.
  5. Music: Excerpt from Variations on an American Hymn Tune, by Gordon Young, performed by Paul Pittman. At MusOpen.
  6. The Lord’s Prayer, King James Version
  7. Concluding Prayer: From Church of England.
  8. Choral benediction: C.P. Lutkin. “The Lord Bless You and Keep You.” Performed by “The Major Grooves”. Private file donated by a friend, used with permission.
19Apr

A Service of the Word, for the Second Week of Easter 2020

I have put together another audio file of readings and music, offered in praise of God and for the benefit of any who might find in it a blessing on this day of ongoing isolation due to the COVID pandemic. The readings and music are taken from audio files that are in the public domain. Readings correspond to the Revised Common Lectionary.

  1. Prelude: Concerto for 2 Trumpets in D Major, by Johann Molter, MWV 6.30 – III. Allegro. From a European Archive, at MusOpen.
  2. Reading: Acts 2:14a, 22-32, from the World English Bible, by Librivox.
  3. Music: Hymn: Alleluia – A joyous Easter Hymn, by Frieda Hempel, Soprano, 1924. From Internet Archives.
  4. Reading: Psalm 16, from the King James Version, by Librivox.
  5. Reading: John 20:19-31, from the World English Bible.
  6. The Lord’s Prayer, World English Bible
  7. Song: “Exultate Deo”, by William Byrd; Internet Archives Community Audio.
  8. Concluding Prayer: St. Richard of Chichester
  9. Music: “Amen”, from Magnificat, fauxbourdon by William Byrd. Sung by the Choir of St. Thomas Church 5th Avenue.
  10. Postlude, Organ work: JS Bach, “Christ lag in Todesbanden”, performed by Aldo Locatelli, at MusOpen.
12Apr

A Brief Celebration of Easter

I have put together an audio file of readings and music, offered in praise of God and for the benefit of any who might find in it a blessing on this day of ongoing isolation due to the pandemic. The readings and music are taken from audio files that are in the public domain.

Easter Readings 2020
  1. Prelude: Concerto for 2 Trumpets in D Major, by Johann Molter, MWV 6.30. From a European Archive, at MusOpen.
  2. Reading: Acts 10: 34-43, from the World English Bible, by Librivox.
  3. Music: Te Deum, Orchestral, by Marc Antoine Charpentier; unknown performers, available from Community Audio section of the Internet Archive.
  4. Reading: Psalm 118: 1-2, 14-24, from the King James Version, by Librivox.
  5. Reading: John 20:1-20, from the World English Bible.
  6. The Lord’s Prayer, World English Bible
  7. Concluding Prayer
  8. Music: “Amen”, from Magnificat, by Jan Dismas Zelenka; Performed by the Prague Choral Society, at MusOpen (linked above).

01Jul

Saving the Rebel

Quite by chance today I heard an interesting juxtaposition of two beautiful pieces of music. One, the haunting “When David Heard” by Thomas Tompkins, recalls the moment when Israel’s King David learns of the death of his son Absalom, killed as he was leading a rebellion against his own father. David, though spared, nevertheless cries out in agony, “O Absalom, my son! Would God I had died for thee.”

The other piece of music was an organ work by Johann Sebastian Bach, his Passacaglia and Fugue In C minor. The passacaglia was a Spanish dance form elevated to major effect by the Baroque master. This particular piece consists of a theme and 20 variations (or 21 variations comprising 7 sets of three, per French organist Marie-Claire Alain; this is a point of debate). The theme and variations—the Passacaglia— are then followed by a fugue upon the opening theme.

Though wordless, it is thought that Bach was using musical symbolism to express his deep Christian faith. Disagreement exists on how exactly one should interpret the piece, but the cross of Jesus is generally seen in the pattens tumbling forth from the notes. For example, Australian organist David Rumsey noted the following regarding the dramatic “Neapolitan Sixth” that marks a major pause in the middle of the piece:

“By extension we may therefore deduce that the Neapolitan Sixth at the end of section four of the Passacaglia strongly suggests “crucifixion”. Applied specifically to the Passacaglia we see the relationship to the climax of the New Covenant: the sacrifice of the Messiah.” (David Rumsey, 1992. “THE SYMBOLS OF THE BACH PASSACAGLIA”. Accessed online at http://www.davidrumsey.ch/Passacaglia.pdf)

The meaning of the crucifixion for Christians is summarized by St. Paul: “For if while we were enemies we were reconciled to God by the death of his Son, much more, now that we are reconciled, shall we be saved by his life.” (Romans 5:10)

The connection between these two stories that grabbed me was this. In the one instance the rebel died that the king may live. In the second instance, the King died that the rebel may live.

11Jun

In Honor of Pentecost: Veni Sancte Spiritus

sung by the choir of Notre Dame de Paris. Organ – Pierre Cochereau


Come, Holy Spirit,
send forth the heavenly
radiance of your light.

Come, father of the poor,
come, giver of gifts,
come, light of the heart.

Greatest comforter,
sweet guest of the soul,
sweet consolation.

In labour, rest,
in heat, temperance,
in tears, solace.

O most blessed light,
fill the inmost heart
of your faithful.

Without your spirit,
there is nothing in man,
nothing that is not harmful.

Cleanse that which is unclean,
water that which is dry,
heal that which is wounded.

Bend that which is inflexible,
fire that which is chilled,
correct what goes astray.

Give to your faithful,
those who trust in you,
the sevenfold gifts.

Grant the reward of virtue,
grant the deliverance of salvation,
grant eternal joy.

04Feb

A Motet for Candlemas

Byrd: Senex puerum portabat

Hereford Cathedral

Senex puerum portabat:
puer autem senem regebat:
quem virgo peperit,
et post partum virgo permansit:
ipsum quem genuit, adoravit. 

translation by William Mahrt
The old man carried the child,
but the child ruled the old man;
him whom the Virgin brought forth,
and after childbirth remained a virgin
him whom she bore, she adored.

30Nov

An Ecclesiastes Moment from Kevin Rowland

We’d become very successful very quickly. I remember walking down the high street and girls were coming out of the clothes shop and screaming at me. I thought: “This is amazing.” But you can’t turn it off. I thought that proving myself would make me happy, but I still wasn’t and that was a f**king shock.

—-Kevin Rowland, founder of the band Dexys Midnight Runners, and the author of the hit song “Come On, Eileen,” reflecting on his past in The Guardian.