Author: BrJames

Thanks to my sons, I have come late to a recent popular TV show that dealt with angels, demons, and the occult, namely “Supernatural”.  I have seen reviewers describe the show as underwear models fighting demons, and that makes me chuckle.  I am tempted to join the Christian responses of either avoiding it as clearly heretical, or dismissing it with a wave of the hand and saying something along the lines of, “it’s just fantasy; enjoy it and don’t think too hard.” However, thanks to fielding questions about demons and angels, and for the benefit of my sons, I will engage with some of the ideas raised by “Supernatural”.  

First, I will credit some things that the show gets “right” according to hints from the Bible.  In contrast to popular images of angels as beautiful women with harps, or frivolous babies with wings, the show’s portrayal of angels as powerful warriors of grim determination are, in my view, an improvement.  

Artistic Renditions of angels

Biblical angels are supernatural beings of power, spiritual in nature and therefore generally invisible to mortal eyes; but they are able to take human form.  As an example, men in white were seen at the tomb of Jesus to announce his resurrection, and also on the hilltop after his ascension.  The writer of Hebrews furthermore advises Christians:

“Do not neglect to show hospitality to strangers, for thereby some have entertained angels unawares.”

Examples of angels appearing as men from the Old Testament would include the two men who visited Lot prior to destroying Sodom and Gomorrah in Genesis 19.  

In the majority of the biblical passages that deal with angels, they are performing the role of emissary or spokesperson, sent from God.  The very word “angel” (ἄγγελος or angelos ) means “messenger”.  But they also are also engaged in executing God’s judgement upon unrighteous people, and in protecting God’s people.

As in the TV show, the Bible also speaks of angels as being engaged in warfare.  For example, in Revelation 17, we get this information from the apocalyptic vision of St. John:

“Now war arose in heaven, Michael and his angels fighting against the dragon. And the dragon and his angels fought back, but he was defeated, and there was no longer any place for them in heaven. And the great dragon was thrown down, that ancient serpent, who is called the devil and Satan, the deceiver of the whole world—he was thrown down to the earth, and his angels were thrown down with him.”

The Bible speaks of archangels, who are leaders or “princes” among the angelic host. Two are mentioned by name, Gabriel and Michael.  The Book of Daniel mentions Michael twice.  In chapter 10 an unnamed angel visits Daniel, and tells him that he was delayed:

“The prince of the kingdom of Persia withstood me twenty-one days, but Michael, one of the chief princes, came to help me, for I was left there with the kings of Persia”

From Chapter 12 of Daniel:

“At that time shall arise Michael, the great prince who has charge of your people. And there shall be a time of trouble, such as never has been since there was a nation till that time. But at that time your people shall be delivered, everyone whose name shall be found written in the book.”

Gabriel says this of himself in Luke chapter 1:

“And the angel answered him, ‘I am Gabriel. I stand in the presence of God, and I was sent to speak to you and to bring you this good news’.”

As in the show, angels can fall away and betray God.  In the New Testament , the books of Jude, and 2 Peter have nearly identical passages regarding fallen angels being imprisoned. From Jude: 

“And the angels who did not stay within their own position of authority, but left their proper dwelling, he has kept in eternal chains under gloomy darkness until the judgment of the great day.”

This brings me now to things the show gets terribly wrong.  In many aspects of its portrayal of angels and demons, “Supernatural” becomes either downright asinine, or simply blasphemous.  Time will not allow me to list all of the sins of this show.  I will gloss over the silliness involving ancient Greek gods and goddesses, Hindu deities and the like—from a Christian perspective these are not real.  I will also set aside the tendency of secular media to mangle the Christian apocalypse, a topic that both fascinates and is woefully misunderstood. The show furthermore has an almost medieval fascination with relics, Latin incantations, holy water, and amulets.

The series depicts angels possessing humans, much like demons do, and using them as “meat suits” or “vessels”.  This is not really Biblical.  

Furthermore, in “Supernatural” even the “good” angels are portrayed as being clueless at best (Castiel) and more often as total jerks (Gabriel and Raphael), and not always much better than the demons they fight.  

In fact, sometimes Sam and Dean must try to kill angels in order to protect themselves or their world from annihilation. An undercurrent of dualism becomes ever more prominent in later seasons.  Rather than good being superior to evil, and evil needing to be vanquished, the idea is that good and evil are merely opposite forces that are both needed for balance, like the Chinese Yin and Yang.  

In Christian theology this would be foolishness.  St Thomas Aquinas described evil as privation.  As one writer describes it, “Evil is not some thing in its own right – like some kind of dark seeping ooze that invades goodness and destroys it. No, evil is not a “thing” at all, but the falling-short, an emptiness or non-functioning, in something else.“ (Dr. Joseph Magee, “Saint Thomas Aquinas and the Problem of Evil”, online at  https://aquinasonline.com/problem-of-evil/)

I find it quite interesting that a show dealing with angels and demons in every episode is nonetheless simultaneously very nearly devoid of God.  The angels are usually portrayed as agnostics who lament that their “Father is absent” and wonder whether God even exists.  This is in stark contrast to the biblical depictions of angels as being in the presence of God. (When God does finally appear in “Supernatural” he is a limited being, bearing little relation to the God of Christianity–This could be a subject for a different essay).  

Even harder to find than God is any trace of the Son of God.  The series has an “Antichrist” but no “Christ”.  Jesus is mostly a nonentity in “Supernatural”.  In an episode in season 6, a diabolical being named “Eve” tells a Christian truck driver “you do know that Jesus was just a man” before brutally killing him.  Of course, in Christianity, Jesus is more than just a man.  He is at the center of it all. He is the God-man who after triumphing over death and evil, has been exalted to the heavenly throne, to “the right hand of God”, where he is surrounded by hosts of angels.  

Jesus tells his disciples in John 1:51, “Truly, truly, I say to you, you will see heaven opened, and the angels of God ascending and descending on the Son of Man.”  

The final role for angels listed in the Bible is that of choir.  As in the old hymn, “Crown Him with Many Crowns”, the heavenly anthem of the angels ultimately will drown out all other music, including the cacophony of this world.  In Revelation 5, John has the vision of an innumerable throng of angels “numbering thousands upon thousands, and ten thousand times ten thousand” encircling the throne and singing songs of praise to Jesus.  Let us now take up their anthem:

“Worthy is the Lamb who was slain, to receive power and wealth and wisdom and might and honor and glory and blessing!”

The 18th Sunday after Pentecost 2021
  1. Call to Worship from Ephesians 1.
  2. Organ prelude: Max Reger (1873-1916) “Scherzo in D”, Op 65, performed by Raúl Prieto Ramírez, on the restored 1928 Skinner Organ at Hope College, MI, used in accordance with Creative Commons License.
  3. First Reading: Numbers 11:4-6, 10-16, 24-29, King James Bible.
  4. Psalm 19:7-14, King James Version.
  5. Hymn: “All Creatures of Our God and King” (verse 1), from the Diane Bish “Joy of Music” program “Hymns of Faith”, Performed at Miller Chapel, Princeton Theological Seminary, Creative Commons.
  6. Second Reading: James 5:13-20, World English Bible.
  7. Hymn: “If You Will Trust In God to Guide Thee.” Sung by Immanuel Congregational Church, Hartford. In the Public Domain.
  8. Gospel: Mark 9:38-50, World English Bible.
  9. The Lord’s Prayer: From Matthew 6.
  10. Blessing: From Ephesians 3.
  11. Postlude: Max Reger (1873-1916) “Toccata and Fuge a-moll,” opus 80, performed by Kerstin Wolf on the Beckerath-Orgel in St. Petri, Hamburg, around 2015. This recording is used in accordance with the Creative Commons license.

The Bible passages were recorded by Librivox, and are in the public domain. Readings correspond to the Revised Common Lectionary. All audio files are given with attribution where known.

Pentecost 17th Sunday 2021
  1. Opening Acclamation: from Psalm 107.
  2. Hymn: “Come, Thou Almighty King”, unknown congregation, available in public domain.
  3. First Reading: Jeremiah 11:18-20, King James Bible.
  4. Psalm 54, King James Version.
  5. Second Reading: James 3:13-4:3, 7-8, World English Bible.
  6. Organ Sequence: Starling Goodwin (1711-1774), “London Old, Interlude 1”, uploaded to YouTube by Chordis and Organo, used in accordance with Creative Commons license.  
  7. Gospel: Mark 9:30-37, World English Bible.
  8. The Lord’s Prayer: Chanted by unknown congregation, uploaded to YouTube by “LabourerFaith”, and used in accordance with Creative Commons License.
  9. Blessing: The Aaronic Blessing from Numbers 6 (King James Version).
  10. Postlude: Nicholaus Bruhns (1665-1697) “Praeludium, e-moll”, performed on Arp Schnitger Orgel at Ganderkesee, by Thorsten Ahlrichs, use in accordance with Creative Commons licence.

The Bible passages were recorded by Librivox, and are in the public domain. Readings correspond to the Revised Common Lectionary. All audio files are given with attribution where known.

16th Sunday after Pentecost 2021
  1. Opening Acclamation: from Psalm 27:1.
  2. Organ prelude: Jeremiah Clarke (1674-1707), “Prince of Denmark March”, Performed by Michael Rondeau, available in the public domain, at MusOpen.org.
  3. First Reading: Isaiah 50:4-9, King James Bible.
  4. Psalm 116:1-9, King James Version.
  5. Second Reading: James 3:1-12, World English Bible.
  6. Hymn: “Crown Him with Many Crowns”, public domain.
  7. Gospel: Mark 8:27-38, World English Bible.
  8. Lord’s Prayer: From the Book of Common Prayer 1662.  
  9. Benediction: From the Book of Common Prayer 1662.
  10. Postlude: Johann Sebastian Bach (1685-1750) “Fantasia and Fugue”, BWV 562, performed by Gosse Hulzinga, in the public domain at MusOpen.org.

The Bible passages were recorded by Librivox, and are in the public domain. Readings correspond to the Revised Common Lectionary. All audio files are given with attribution where known.

15th Sunday after Pentecost 2021
  1. Opening Acclamation: from Psalm 57:5.
  2. Organ prelude: Dietrich Buxtehude (1637-1706), “Praeludium und Fuge” BuxWV 147, performed on ernst stolz Hauptwerk Müller organ Oosterwijtwerd, uploaded to YouTube by “My Years With Early Music”, used in accordance with Creative Commons license.
  3. First Reading: Isaiah 35:4-7, King James Bible.
  4. Psalm 147, King James Version.
  5. Response: G. F. Handel (1685-1759) “Praise the Lord”, performed in 2012 by “Con Anima” – St. Patricks College Choir. Used in accordance with Creative Commons License.
  6. Second Reading: James 2:1-17, World English Bible.
  7. Organ Sequence: Starling Goodwin (1711-1774), “London New, Interlude 3”, uploaded to YouTube by Chordis and Organo, used in accordance with Creative Commons license.
  8. Gospel: Mark 7:24-37, World English Bible.
  9. The Lord’s Prayer: from Matthew 6.
  10. Blessing: 2 Corinthians 13.
  11. Postlude: Dietrich Buxtehude (1637-1706), “Toccata en Fa majeur” BuxWV 156, performed by Anne-Gaëlle Chanon on the orgue Schnitger de la Martinikerk de Groningen, used in accordance with Creative Commons license.

The Bible passages were recorded by Librivox, and are in the public domain. Readings correspond to the Revised Common Lectionary.

14th Sunday after Pentecost 2021
  1. Opening Acclamation: From Psalm 118.
  2. Anthem: Jacob Handl (1550-1591), “In nomine jesu”, performed by Chór Słowiki at the church of St. John the Baptist in Szczecin, Poland. Uploaded to YouTube by “andkuba99” and used in accordance with Creative Commons license. Translation: “In the name of Jesus every knee should bow, of those that are in heaven, on earth, and under the earth and every tongue should confess that the Lord Jesus Christ is in the glory of God the Father. Alleluia.”
  3. First Reading: Deuteronomy 4:1-2, 6-9. King James Bible.
  4. Psalm 15, King James Version.
  5. Hymn: “Be Still My Soul”, performed by the Thomas Cumberland Choir, from “Sunday Hymn Sing” in the Community Audio section of Archive.org.
  6. Second Reading: James 1:17-27, World English Bible.
  7. Hymn: “Great is Thy Faithfulness”, verse 1, performed at St. John’s Church, Redhill, uploaded to YouTube by Ginette and Peter Nye, and used in accordance with the Creative Commons License.
  8. Gospel: Mark 7:1-8, 14-15, 21-23, World English Bible.
  9. Lord’s Prayer: From Luke 11.  
  10. Blessing: 1 Timothy 1:17.
  11. Postlude: Jan Pieterszoon Sweelinck (1562-1621), “Fantasia Cromatica”. Performed by Jin Kyung Limon the Fisk organ at Stanford University, Nov 2015; Used in accordance with Creative Commons license.

In many churches, this Sunday (or a day near it) is set aside to honor Mary, the mother of Jesus. While keeping the usual lectionary readings for the 12th Sunday after Pentecost, I will nonetheless add in some music from the rich tradition of celebrating Mary. Enjoy.

  1. Opening Acclamation: from Psalm 51
  2. First Reading: Proverbs 9:1-6.
  3. Anthem: Pascale Colasse (1649-1709), “Beata Es Maria”, uploaded to YouTube by “L Jeanne”, used in accordance with Creative Commons license.
  4. Psalm 34:9-14, King James Version.
  5. Gloria Patri: Excerpted from Puer Natus Est, sung at the Abbey of St. Martin of Ligugé, uploaded to YouTube by “Musique Sacree”, used in accordance with Creative Commons license.
  6. Second Reading: Ephesians 5:15-20, World English Bible.
  7. Hymn: Anthem: William Byrd (1540-1623), “Ave Virgo Sanctissima”, sung by Ars Mvsica. In the public domain, at Archive.org.  Translation: “Hail, Holy Virgin, most blessed Mother of God, bright star of the sea. Hail, ever glorious, precious pearl, lovely as the lily, beautiful and perfumed as the rose.”
  8. Gospel: John 6:51-58, World English Bible.
  9. Lord’s Prayer (latin): Sung by the Tudor Consort. Public domain.   
  10. Blessing: 2 Corinthians 13.
  11. Postlude: Johann Sebastian Bach (1685-1750) “Art of Fugue Contrapunctus 1”. Performed by Benjamin Alard on the organ of l’église d’Arques-la-Bataille; Used in accordance with Creative Commons license.

The Bible passages were recorded by Librivox, and are in the public domain. Readings correspond to the Revised Common Lectionary.

  1. Opening Acclamation: Psalm 107.
  2. Organ Prelude: Jan Pieterszoon Sweelinck (1562-1621) “A Ricercare” performed by Mark Anthony LaMort on Hauptwerk organ, St. Maxamin sample set by Sonus Paradisi, uploaded to YouTube by aml5321 and used in accordance with Creative Commons license.
  3. First Reading: 1 Kings 19:4-8, King James Bible.
  4. Psalm 34:1-8: King James Bible.
  5. Second Reading: Ephesians 4:25-5:2, World English Bible.
  6. Organ sequence: “I Heard The Voice of Jesus Say” performed by Rainer Schulz at St. Peter’s Church in Leutershausen, used in accordance with Creative Commons license.
  7. Gospel: John 6:35, 41-51, World English Bible.
  8. The Lord’s Prayer: From the 1662 Book of Common Prayer.
  9. Benediction from Ephesians 3.
  10. Postlude: Louis-Nicolas Clérambault (1676-1749) “Caprice sur les Grands Jeux” from “Suite du Deuxième Ton, Premier Livre d’Orgue” Performed on the organ of Cattedrale di Cozensa, Italy. Uploaded to YouTube by “Duomo di Santa Maria Assunta”, used in accordance with Creative Commons license.
Pentecost 10th Sunday 2021
  1. Prelude: Heinrich Scheidemann (ca. 1595-1663): Praeambulum in G, performed on the organ of Reformierten Kirche in Uttum, uploaded to YouTube by Jens Engel, and used in accordance with Creative Commons license.
  2. Opening Acclamation: from Psalm 95:6
  3. First Reading: Exodus 16:2-4, 9-15, King James Version.
  4. Psalm 78:23-29, King James Version.
  5. Second Reading: Ephesians 4:1-16, World English Bible.
  6. Hymn: “Guide me O Thou Great Redeemer”, in the Public Domain at Archive.org.
  7. Organ Sequence: Eugene Gigout (1844-1925), excerpt from “Album grègorien: Tranquilo”, uploaded to YouTube by chordis & organo, used in accordance with Creative Commons license.
  8. Gospel: John 6:24-35, World English Bible.
  9. The Lord’s Prayer: Chanted by unknown congregation, uploaded to YouTube by “LabourerFaith”, and used in accordance with Creative Commons License.
  10. Blessing: The Aaronic Blessing from Numbers 6 (King James Version).
  11. Organ Postlude: Eugene Gigout : Toccata in B major, performed by Joshua Sobel at the Edenton St UMC Church, Raleigh, NC, used in accordance with Creative Commons license.

The Bible passages were recorded by Librivox, and are in the public domain. Readings correspond to the Revised Common Lectionary.

Limited time and access to the internet means no posts until later in July. Peace and blessings be yours in the meantime.